Video shows what attire means. One’s dress; what one wears; one’s clothes.. The single horn of a deer or stag.. Attire Meaning. How to pronounce, definition audio dictionary. How to say attire. Powered by MaryTTS, Wiktionary Video Rating: / 5
Mengenal Tipe-Tipe Dress Code | Saat menerima undangan nggak jarang kita mendapati aturan berpakaian yang tertera dalam undangan tersebut. Agar Sista nggak salah kostum saat menghadiri acaranya, kenali dulu yuk beberapa aturan berpakaian (dress code) yang paling umum dijumpai di video Sorabel ini!
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Today we will talk about the business casual dress code, the difference between formal and casual style and take a look at another wonder wardrobe example for work.
★ Looking for a new job, or heading back to the office soon?
This styling guide will have you looking your best whatever the occasion: https://wonder-wardrobe.com/blog/office-capsule-wardrobe-free-e-book
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Take a closer look at this capsule:
https://wonder-wardrobe.com/blog/business-casual
Full Business Casual Guide, here:
https://gentl.mn/2yWhx4p
BUSINESS CASUAL SHOES: https://gentl.mn/2FhMPZ0
00:00 Introduction
00:37 So how do we get from suit, dress shirt, and tie to a very relaxed dress code with khakis and Polo shirts? Well, it all started with Aloha Fridays. This trend became quite popular in Hawaii and was eventually adopted on the mainland. Subsequently, people were familiar with it and wore it more often.
02:03 So what does business casual mean in a nutshell? Basically, it means no suit but also no jeans.
02:51 1. White-collar business casual – Bank, law firm, an accounting firm
The core piece in your wardrobe would be the dark navy blazer. Stick with just dark horn buttons. Stick with a single-breasted and notched lapel look for a very normal appearance.
You can also go with other kinds of sports coats that are patterned.
When it comes to dress shirts, you should invest in some oxford shirts. They have a nice 2-tone appearance to them which makes them more casual and perfectly suited for business casual.
When it comes to pants you can either wear chinos or khakis or dress pants in grey, light grey, mid-grey, not blue, especially if you have a navy blazer because it’s too close but not the same. Basically, you want to have a certain amount of contrast.
As far as accessories go, you can have a pocket square, you can go with a dressy watch or maybe with a naval strap to mix it up and make it more casual, depends on your specific office. When in doubt, always go a little more formal.
For shoes and boots, you can basically wear anything in the color brown, reddish-brown, or dark brown, maybe even tan.
Since you’re at the office, you should always bring a bag. A proper gentleman always carries a bag. It could be made of leather, of canvas, or a mix of the two but leave the backpack at home and only use it when you go hiking.
06:21 2. Service business casual or more relaxed office environments
If you have client contact, chances are you are required to wear a jacket, sportscoat, blazer, at all times. If you’re not, maybe you can get away with just wearing a dress shirt or a polo shirt. If you feel a sportcoat would be too formal, you can also try just to go with a vest because it’s dressier than just a dress shirt but less formal than a jacket.
For shirts, button-down collars are good as well as long-sleeved polo shirts. Neckties are entirely optional. At this level, denim or jeans are still not okay to wear, go with chinos or khakis.
During the colder months of the year, sweaters of all kinds are great, you can either have them with a tie or without. Alternatively, have a cardigan or a sweater vest. Simply an ideal look for this environment because it’s dressier than just having a shirt.
As far as shoes go, I personally would suggest you go with classic shoes such as Derbys, monk straps, loafers in brown because they work with everything and are just the perfect business look.
Of course, the bag you should have can be a little more relaxed so it can be canvas, could be more weathered. Of course, a vintage leather patina bag is always appropriate and looks phenomenal.
08:32 3. Startup Business casual
It’s always to your advantage to put your best foot forward and that means, dressing up a bit more.
Wear a polo shirt even if it’s short-sleeved. Rather than wearing shorts when it’s warm consider maybe a pair of seersucker pants. Instead of crocs or flip-flops, switch over to boat shoes, you can also go with driving mocs and a sockless look.
When it’s cold outside, you can’t just go to the office with just your blazer so ideal companions would be a trench coat in-between seasons. When it gets much colder, you can get something like a peacoat which is shorter but it covers your jacket and it’s very warm. If you want something lightweight that’s more fun, you can think about something like a quilted jacket.
#businesscasual #dresscode #notsponsored
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The Minaret and Archaeological Remains of Jam, in Afghanistan, is on UNESCO’s List of World Heritage in Danger. A project supported by UNESCO’s Heritage Emergency Fund provided new information for conservation of the minaret using drones and 3-D technology. The 65m-tall Minaret of Jam is a graceful, soaring structure, dating back to the 12th century. Covered in elaborate brickwork with a blue tile inscription at the top, it is noteworthy for the quality of its architecture and decoration, which represent the culmination of an architectural and artistic tradition in this region. Its impact is heightened by its dramatic setting, a deep river valley between towering mountains in the heart of the Ghur province. Watch the video Video Rating: / 5
Allocated steps of attire are clearly divided according to essential characteristics, but chronological boundaries are not sharp. The constant function of attire is presentation: to pick out or magnify a man and indicate his status. Constructive, aesthetic and sacred functions play different roles on different stages. Natural attire originated during primitive era, its elements were preserved in ethnographic suit. Adornments were made of available natural (plant and animal) materials, but artificial materials (ceramics, glass, textiles) were beginning to be used. Adornments mainly decorate the body, their forms correspond to its parts: head wreath, necklace, belt, bracelet. The joining between adornments made by wrapping, tying, stringing, piercing. Variegated colors were used, images of the natural world were reflected. Sacred and aesthetic functions were in unity. Heavy-metal attire has existed since the era of metal (Eneolith, Bronze Age) and during early Middle Ages. Heavy and numerous adornments of non-precious metal produced by forging and casting, fastened and kept draped clothes on the body uniting with it into a single structure. The attire of Finno-Ugric peoples fully represents this stage. Some things played the role of hard case (spiral and holder) or of supporting framework (head hoops), others cover cloth with metal layer (sewn and hanging plates, interwoven spirals). Attire stayed on pre-stylistic level, adornments from different regions are similar. With the increasing of complexity of
techniques first styles appeared (polychrome and carved styles, styles of champlevé enamel and of cloisonné incrustation). Constructive function and sacred protection were important. Metal details the best way perform the function of protective noise with jingling. III. Jewelry attire is typical for class society, for developed Middle Ages. Jewelry is made of precious materials in difficult jewelry techniques (cloisonne enamel, niello, filigree). Byzantine and Russian medieval attires are the examples. Jewelry items are linked together structurally and stylistically, their connection with clothing is typological. Silver bellshaped pendants and back head net complemented Russian compound headdress (“kichka”). Gold diadem in cloisonne enamel complemented band headdress. Constructive connection of jewelry and clothes became not very important, though sometimes was preserved. On the basis of fine and peculiar jewelry techniques original art styles and ornamental elements formed. Art images were able to reflect the symbols of concrete religions. Sacred and aesthetic functions are equally important. The accessory attire is characteristic to the New time and modernity. Adornments are made from the variety of materials and in every possible techniques, exist as other costume accessories, and even become not required. Items are linked stylistically and with color harmony. They complement the suit, can be replaced and changed, they are rather independent from the structure, style and typology of the suit. Jewelry correspond to the fashion and artistic trends of time, in most cases they do not have any semantics, except parting in sign suit related to specific events and subcultures. The main function is aesthetic. The attire is becoming more individual and formed by concrete person. The report is accompanied by examples of the hat and costume jewelery.
Author – PhD Zhilina, Natalia, Institute of archaeology RAS, Moscow, Russian Federation (Presenting author) Video Rating: / 5
We meet the team at Batteries Plus Bulbs in Novi to find out what cool new tech they offer and hear about their store’s philosophy on customer service. Video Rating: / 5
How do you light a light bulb with some bare copper wires?
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How Dress Pants Should Properly Fit || Gent’s Lounge 2020
Getting the proper fit on your dress pants is more than getting the right length and waist size. It’s really about knowing how to tailor and fit your clothes to your body and shape.
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How A Properly Fitted Suit Should Fit – https://youtu.be/JdxMlDl65Rw
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How I Get My Hair Cut || How to Ask For a Haircut – https://youtu.be/FDeAV2oWwwc
5 Huge Haircut Mistakes – https://youtu.be/PsqjfKbpy4I
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How To Cook The PERFECT Steak in 2 Minutes! – https://youtu.be/n1ElM_ebdAQ
Gent’s Lounge Cookbook: Bacon Frittata – https://youtu.be/DnGq-Xk2gls
Gent’s Lounge Cookbook: My Favorite Breakfast – https://youtu.be/-yOMns6S6dQ
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If I spend on jeans I expect it to last for the rest of my life. My belt is a shoe-lace.
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Voici les rois que les enfants d’Israël battirent, et dont ils possédèrent le pays de l’autre côté du Jourdain, vers le soleil levant, depuis le torrent de l’Arnon jusqu’à la montagne de l’Hermon, avec toute la plaine à l’orient.
2
Sihon, roi des Amoréens, qui habitait à Hesbon. Sa domination s’étendait depuis Aroër, qui est au bord du torrent de l’Arnon, et, depuis le milieu du torrent, sur la moitié de Galaad, jusqu’au torrent de Jabbok, frontière des enfants d’Ammon;
3
sur la plaine, jusqu’à la mer de Kinnéreth à l’orient, et jusqu’à la mer de la plaine, la mer Salée, à l’orient vers Beth-Jeschimoth; et du côté du midi, sur le pied du Pisga.
4
Og, roi de Basan, seul reste des Rephaïm, qui habitait à Aschtaroth et à Edréï.
5
Sa domination s’étendait sur la montagne de l’Hermon, sur Salca, sur tout Basan jusqu’à la frontière des Gueschuriens et des Maacathiens, et sur la moitié de Galaad, frontière de Sihon, roi de Hesbon.
6
Moïse, serviteur de l’Eternel, et les enfants d’Israël, les battirent; et Moïse, Serviteur de l’Eternel, donna leur pays en possession aux Rubénites, aux Gadites, et à la moitié de la tribu de Manassé.
7
Voici les rois que Josué et les enfants d’Israël battirent de ce côté-ci du Jourdain, à l’occident, depuis Baal-Gad dans la vallée du Liban jusqu’à la montagne nue qui s’élève vers Séir. Josué donna leur pays en possession aux tribus d’Israël, à chacune sa portion,
8
dans la montagne, dans la vallée, dans la plaine, sur les coteaux, dans le désert, et dans le midi; Pays des Héthiens, des Amoréens, des Cananéens, des Phéréziens, des Héviens et des Jébusiens.
9
Le roi de Jéricho, un; le roi d’Aï, près de Béthel, un;
10
le roi de Jérusalem, un; le roi d’Hébron, un;
11
le roi de Jarmuth, un; le roi de Lakis, un;
12
le roi d’Eglon, un; le roi de Guézer, un;
13
le roi de Debir, un; le roi de Guéder, un;
14
le roi de Horma, un; le roi d’Arad, un;
15
le roi de Libna, un; le roi d’Adullam, un;
16
le roi de Makkéda, un; le roi de Béthel, un;
17
le roi de Tappuach, un; le roi de Hépher, un;
18
le roi d’Aphek, un; le roi de Lascharon, un;
19
le roi de Madon, un; le roi de Hatsor, un;
20
le roi de Schimron-Meron, un; le roi d’Acschaph, un;
21
le roi de Taanac, un; le roi de Meguiddo, un;
22
le roi de Kédesch, un; le roi de Jokneam, au Carmel, un;
23
le roi de Dor, Sur les hauteurs de Dor, un; le roi de Gojim, près de Guilgal, un;
24
le roi de Thirtsa, un. Total des rois : trente et un. Video Rating: / 5
Images de Chourouk News TV – Février 2018
Des images insoutenables des conditions d’abattage des bovins à l’abattoir de Ruisseau (Alger) ont été diffusées sur la chaine privée algérienne Chourouk News. Images qu’il faudrait éviter aux enfants. Une épouvantable cruauté envers ces animaux sans défense. Cruauté à toutes les étapes : acheminement à l’abattoir, conditions de transport, manutention, contention, et surtout leur abattage dans des conditions moyenâgeuses.
En Avril 2017, j’avais déjà dans un billet « Cruauté sans frontières » décrit les conditions d’abattage en France en particulier pour les rites juif et musulman, et les cadences infernales d’abattage de pratiquement toutes les espèces. J’avais rappelé que « Les autorités religieuses des deux cultes juif et musulman insistent sur le respect de l’animal et son “bien-être” : il doit être transporté confortablement, bénéficier d’un repos avant l’abattage, ne doit jamais être tué à la vue d’un autre et le couteau doit être soustrait à son regard avant son sacrifice. En théorie… »
En PS, j’avais rappelé « Lors de mon mémoire d’ingéniorat en agronomie (en 1980 !), j’ai été emmené à abattre des taurillons nourris avec un complément de fientes de volailles déshydratées que je ramenais de Sid Bel Abbes. L’abattage s’est effectué à l’abattoir de Ruisseau (Alger) en ma présence. J’ai raconté à ma mère – Allah Yerhamha- dans les menus détails les conditions d’abattage de mes taurillons. Après avoir essuyé une larme, elle s’est fendue d’un “Hasbouna Allâh wa Ni3ma al-Wakîl”. ».
Ce reportage de 26 mn m’a permis de reconnaitre ces lieux. Exactement les mêmes. Rien n’a changé. Ce que confirment les témoignages des vétérinaires et autres responsables dans ce douloureux reportage pour qui « 90 % de nos abattoirs méritent d’être fermés » compte tenu de leur vétusté.
Au-delà des aspects liés au manque flagrant de formation des « ouvriers » de l’abattoir, la responsabilité de l’Etat, qui laisse faire, est manifeste dans ce drame, car il s’agit d’un drame, ce d’autant que l’Islam interdit formellement toute souffrance sur un animal sacrifié
Il faut souhaiter que ce reportage puisse être l’occasion, pour nos responsables, de prendre conscience de cette cruauté en construisant des abattoirs dignes de ce nom et non des lieux de souffrance confinés. Video Rating: / 5
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Music: March of Spoons by Kevin Macleod
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It can be hard to know what we really need from a relationship. But the task becomes much simpler if we keep in mind that every relationship requires just three crucial ingredients to work.
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“Many people, after they’ve been in a couple for some time, will privately admit that they are – in many ways – frustrated and disappointed by the person they’ve chosen to share their lives with. If pressed for details, they will have no difficulty coming up with a list: their partner, they might complain:..”
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Official music video by Anthony Ramos performing “Relationship”
Starring Anthony Ramos & Liza Koshy
Choreographed by Dana Wilson
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Concept & Creative Director: Anthony Ramos
Video Director: Andy Madeleine
Video Producer: James Sibio
Video Editor: Christian Claudio
Video Colorist: Dante Pasquinelli
for Golden Child Media
►”Relationship” Lyrics:
Verse 1:
You’re talkin’ to me
Like you already own me
Then you go and see your friends
And tell them that “he just a friend”
Then you say you’re lonely
You ask “whatcha doin’”
Tell me to come over
This bed is better when you’re in it.
Pre-Chorus 1:
Then we get to kissin’
Then we get to touchin’
Then we get to bumpin’ real fast
She had real fine assets
Then we get to laughin’
Then we get the passion
Then we get to talking real deep, like that
Like that
Chorus 1:
So tell me how this ain’t a relationship
I just wanna be the one you end up with
Tell me how this ain’t a relationship
I just wanna be the one you end up with
Verse 2:
You got me confused by the
Swing in your mood
First you wanna hold my hand
Then you say your over it
A few days have gone by
I’m tryin’ to get my heart right
Then you call me out the blue
And say baby I’m missin’ you
Pre-Chorus 2:
Then we get to kissin’
Then we get to touchin’
Then we get to bumpin’ real fast
She pull me right back
Then we get to laughin’
Then we get the passion
Then we get to talking real deep, like that
Chorus 2:
So tell me how this ain’t a relationship
I just wanna be the one you end up with
Tell me how this ain’t a relationship
I just wanna be the one you end up with
Post Chorus 1:
Tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Oh tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Oh tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Pre-Chorus 3:
Then we get to kissin’
Then we get to touchin’
Then we get to bumpin’ real fast
Then we get to laughin’
Then we get the passion
Then we get to talking real deep, like that
Chorus 3:
So tell me how this ain’t a relationship
I just wanna be the one you end up with
Tell me how this ain’t a relationship
I just wanna be the one you end up with
Post Chorus 2:
Tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Oh tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
Oh tell me tell me how, tell me how
Tell me tell me how this ain’t a relationship
